Originally posted at I Care If You Listen:
It’s summer opera festival season in the UK—so, are you a Glyndebourne or a Grimeborn person? Country house in Sussex, or a converted factory in east London? Mostly standard repertoire, or an adventurous programme with plenty of contemporary discoveries? Membership advised if you want to attend, or accessible pricing? Picnic on the lawn in the supper interval, or walk round the corner to the finest Turkish kebab joints in town?
A chaplaincy service says it’s becoming an increasingly worrying time for workers on big ships and how important is it to teach LGBT lessons at primary school? [in which Silk Moth librettist Eleanor Knight and I discuss Ruthless Jabiru’s forthcoming production Silk Moth for Grimeborn Festival (2:49:00)]
Ruthless Jabiru welcomes lauded British-Egyptian mezzo Camille Maalawy to perform the principal role of Mother in the orchestra’s forthcoming production Silk Moth for Grimeborn Festival 2019.
Maalawy has won critical acclaim for her passion and expressiveness across Arabic and Sephardic song in addition to continuing success on the opera and concert stage. Her Continue reading
Originally posted at eleanorknight2016 :
“What would you say to your dead wife or daughter if she were still here?”
“I would say that I acted out of love, and I know that she would understand.”
This exchange appears in Witold Szablowski’s collection of reportage from Turkey, The Assassin from Apricot City and simply and devastatingly illustrates the complexity of ‘honour’.
Honour, as I understand it as I sit here tapping away in East Sussex, is about acting with ethical integrity, with an awareness of a higher purpose, of doing the best one can as a human being.
But what about ‘honour’ so destructive that it leads to the violent deaths of 5,000 women a year worldwide, including about a dozen in the UK?
London chamber orchestra Ruthless Jabiru will deliver Silk Moth, its first fully-staged production for fringe opera stalwart Grimeborn Festival at London’s Arcola Theatre over a five performance season from 09-11 August 2019.
A story of vulnerability and complicity told through the music of Bushra El-Turk, Liza Lim and Cassandra Miller, Ruthless Jabiru’s Silk Moth will examine the complex tragedies of honour crime, family violence and female (dis)empowerment in Britain and beyond.
Originally posted at Arcola Theatre :
Press Releases / 23 May 2019
Arcola Theatre has announced the 16 productions that make up the 2019 Grimeborn Opera Festival.
The festival, which is returning for its thirteenth successive year, features bold new versions of classic operas, rarely-seen and long-forgotten works, and brand new pieces from some of the most exciting up-and-coming opera artists. £12 tickets are available for every single show in the season.
Following their smash-hit The Rape of Lucretia (Winner of the 2019 Off West End Award for Best Opera Production), Julia Burbach and Peter Selwyn reunite for a thrilling new take on Wagner’s Das Rheingold. Arcola produces the first London performances of Continue reading
Originally posted at The Arts Desk :
Compelling refugee-themed concert from Australian ensemble and radical new sounds from avant-garde veterans
| Tuesday, 13 March 2018
Ruthless Jabiru is an all-Australian chamber orchestra based in London. It is the brainchild of conductor Kelly Lovelady, who in recent years has geared the ensemble towards political and environmental concerns. Previous projects have highlighted environmental damage in central Australia and the campaign to end sponsorship by oil companies in the arts sector. For Saturday’s concert, Lovelady and her colleagues turned their attentions to the humanitarian crisis of refugees setting out for Australia by sea.