Kelly Lovelady, Conductor
Producing CV
I have 19 years diverse production experience both backstage and front of house for numerous major international arts organisations; and 25 years experience self-producing my own massed musical and cross-artform conducted projects, including the formation and operational management of several ensembles.
INDEX
contact & status
Box 321, 128 Aldersgate Street, London,
EC1A 4AE, United Kingdom
kelly@kellylovelady.com
+44 7726238648
Australian / Indefinite Leave to Remain (UK)
Current Key Projects
RUTHLESS JABIRU
Founding Artistic Director
London, UK — 2011 to present
Creative direction, musical direction and management of a chamber orchestra of professional Australasian musicians in the UK
- Devising/curating contemporary music-led projects around humanitarian & social justice themes
- Building Creative Partnerships with artist-Activists, NGOs and other initiatives from the music, campaigning and creative sectors
- Creating and maintaining an evolving database of professional Australasian musicians in the UK
- Researching, recruiting and leading a team of 20-40 members per project
- Overseeing all aspects of production and performance
- Researching, developing and implementing a portfolio of composer collaborations and commissioning projects
- Building an online and concertgoing audience through dedicated social media channels (Facebook, Instagram, Twitter/X)
- Creating and maintaining a dedicated orchestra website: ruthlessjabiru.com
- Writing/issuing a monthly newsletter to all subscribers (ruthlessjabiru.com & kellylovelady.com): Ruthless original
- Devising/managing all aspects of fundraising, finance, resourcing & business development
VENUE PARTNERSHIPS
- Arcola Theatre, LSO St Luke’s, Union Chapel, Hackney Showroom, King’s College London, Australia House London, Omnibus Clapham, Arts Theatre West End, St George’s Headstone
FESTIVAL PARTNERSHIPS
- Grimeborn Festival, Joy & Dissent Festival of Cultural Activism, British Council: UK/Australia Season, Australia & New Zealand Festival of Literature & Arts
PROJECT SUPPORT & SPONSORSHIP
- Mayor of London’s Back to Business Fund, Nonclassical, Sound and Music, Creative Europe, Creative Climate Leadership, Kulturno Izobraževalno Društvo PiNA, Julie’s Bicycle, Culture Unstained, Australia Council for the Arts/Creative Australia, Menzies Centre for Australian Studies, Creative Partnerships Australia, Australian Cultural Fund, Tait Memorial Trust, West Australian Government in Europe, Australian Business, Westfield Shoppingtowns Limited, Westpac Institutional Banking, Mighty Bright, Slingshot Sponsorship, Barbican Centre, Limelight Magazine, Chineke! Orchestra & Foundation, Oneworld Publications, Pen and Sword Books, Pluto Press, Masks for Music, Crowdfunder, Easyfundraising
PRESS COVERAGE
- Gramophone, Tempo, BBC London, BBC World Service, I Care If You Listen, The Quietus, Bandcamp Daily, Night After Night, The Wire, BBC Radio 3, Eavesdropping Conversations, Seen and Heard International, Limelight Magazine, Other Minds, International Arts Manager, The Times, The Sunday Times, Britain Magazine, ABC Arts, Australian Music Centre, Resonate Magazine, Sound and Music, The Sampler, Faber Music Fortissimo, Musical Pointers, Orpheus Complex, ABC Radio National, Classical Source, Noted, Gig Magazine, Music Council of Australia, Music Forum, Loudmouth, Australian Times
KELLYLOVELADY.COM
Curator, Mixtapes
2022 to present
Fortnightly cross-genre playlists of experimental music with a view to expanding the definition of “contemporary classical”: kellylovelady.com/category/mixtapes
- Commissioned mixtapes for The Voice of Cassandre, Nonclassical Selects, Cortona Sessions for New Music, Music Patron
CLASSICAL:NEXT 2026
Showcase Jury & C:N Insider
Budapest, Hungary — 2025–26
VIP attendance at 2026 international conference centring innovation in the classical music sector; 1 of 8 “global leaders” headhunted for selection panel of 2026 Showcase performers
THE ATLAS (OF CREATIVE MECHANISMS): [CURATING-CONDUCTING]
Conductor participant
2025
Interviewee for research project/publication in affiliation with University of Applied Arts Vienna exploring intersections between conducting and curating practice
