I am available for long- and short-term projects in 2020 and beyond. If you need a conductor or related production support at short notice, contact me directly as the following may be flexible!
| Location | When | Summary | Description |
|---|---|---|---|
| –– | 23 September, 2020 | [Webinar] Cornell Orchestra Speaker Series | Racism in the Orchestra: Jeri Lynn Johnson |
| –– | 25 September, 2020 | [Symposium] Sounds Now | Curating Diversity in Europe: Decolonising Contemporary Music |
| –– | 29 September, 2020 | [Webinar] Royal Philharmonic Society | Wagnerism: Art and politics in the shadow of music |
“Kelly Lovelady conducted with masterful sensitivity throughout … [her] carefully considered programming makes abundant conceptual sense … It was one of the most remarkable musical experiences of my year.” George Haggett reviews Ruthless Jabiru’s Arcola Theatre debut Silk Moth for Tempo: a Quarterly Journal of New Music. 
“Utterly captivating … This was a daring and powerful theatrical evening which lasted less than an hour, but whose emotion will resonate for far longer.” Caroline Potter reviews Ruthless Jabiru’s Silk Moth for I Care If You Listen. 
Ruthless Jabiru presents Bushra El-Turk’s hard-hitting opera Silk Moth alongside works by Liza Lim and Cassandra Miller at the Arcola Theatre in London’s East End, August 9-11. Composers Edition’s Dan Goren caught up with the pioneering musical director Kelly Lovelady to find out more. 
A meditation on the cult of familiarity in classical music and its impact on the social powers of the sonic arts for Platforma Arts + Refugees Network. 
A personal interrogation into my background, music and motivations for Meet the Artist. 
As part of our endeavor to support International Women’s Day we begged some of our most inspiring female clients to contribute a blog, here Kelly Lovelady from the inimitable Ruthless Jabiru explores change and power. 
We speak to Australian musicians working around the world about how they are responding to the challenges of teaching music remotely.