We speak to Australian musicians working around the world about how they are responding to the challenges of teaching music remotely.
By Angus McPherson on April 21, 2020
Many musicians supplement their performing income with teaching work – but just as the concert halls and theatres are closed as a result of the COVID-19 pandemic, with social distancing measures in force and students staying home from school, music lessons are also being put on hold. Suddenly, music teachers around the country are having to adapt to a new world in which online lessons are the only way to continue making a living. Meanwhile, performing artists facing down the prospect of months without any of their regular income streams are finding ways to make ends meet by offering online Continue reading
Ruthless Jabiru presents Bushra El-Turk’s hard-hitting opera Silk Moth alongside works by Liza Lim and Cassandra Miller at the Arcola Theatre in London’s East End, August 9-11. Composers Edition’s Dan Goren caught up with the pioneering musical director Kelly Lovelady to find out more.
Dan Goren: Tell me how you’ve come to be producing this first fully-staged production of Silk Moth and what drew you to it.
Kelly Lovelady: I had been wanting to programme something of Bushra’s for years so when I had the chance to dream up some new programme ideas I went through her works list with a fine comb. The instrumentation of Silk Moth for a single vocalist and mixed ensemble of four Western and Middle Eastern instrumentalists struck me as an Continue reading
Ruthless Jabiru welcomes lauded British-Egyptian mezzo Camille Maalawy to perform the principal role of Mother in the orchestra’s forthcoming production Silk Moth for Grimeborn Festival 2019.
Maalawy has won critical acclaim for her passion and expressiveness across Arabic and Sephardic song in addition to continuing success on the opera and concert stage. Her Continue reading
Originally posted at The Arts Desk :
Compelling refugee-themed concert from Australian ensemble and radical new sounds from avant-garde veterans
| Tuesday, 13 March 2018
Ruthless Jabiru is an all-Australian chamber orchestra based in London. It is the brainchild of conductor Kelly Lovelady, who in recent years has geared the ensemble towards political and environmental concerns. Previous projects have highlighted environmental damage in central Australia and the campaign to end sponsorship by oil companies in the arts sector. For Saturday’s concert, Lovelady and her colleagues turned their attentions to the humanitarian crisis of refugees setting out for Australia by sea.
London chamber orchestra Ruthless Jabiru will use its forthcoming performance to foster a revival of empathy towards refugees.
Centred around the world premiere of The Drowners, a major new orchestral song cycle by British-Australian composer Andrew Ford, the project will honour tidal forces and the many lives lost seeking asylum by sea. This focal work will be framed by the music of composers Nicole Lizée, Rosalind Page, Wolfgang Rihm and Fausto Romitelli to conjure a muted submarine dreamscape: a dark world of distorted gravity, out of body experience and ominous fantasies of the inner ear.
Ruthless Jabiru is an ensemble uniquely dedicated to exploring humanitarian, sustainability and social justice stories through the music of contemporary composers. Using orchestral Continue reading