When Eleanor Knight began researching her libretto for Silk Moth, she had to decide how to frame an opera about honour violence. Meeting women whose lives it had ruptured through the Iranian and Kurdish Women’s Rights Organisation, she confronted the usual images that accompany the dozen-or-so honour killings per year in the UK media. Between the ‘old, faded school photos’ that illustrate victimhood and the male perpetrators with ‘blankets over their heads … shoved into waiting police cars’, she saw a gulf of painful complexity. ‘What’, she asks, ‘of the mothers?’.1 Continue reading →
It’s summer opera festival season in the UK—so, are you a Glyndebourne or a Grimeborn person? Country house in Sussex, or a converted factory in east London? Mostly standard repertoire, or an adventurous programme with plenty of contemporary discoveries? Membership advised if you want to attend, or accessible pricing? Picnic on the lawn in the supper interval, or walk round the corner to the finest Turkish kebab joints in town? Continue reading →
London chamber orchestra Ruthless Jabiru will deliver Silk Moth, its first fully-staged production for fringe opera stalwart Grimeborn Festival at London’s Arcola Theatre over a five performance season from 09-11 August 2019.
A story of vulnerability and complicity told through the music of Bushra El-Turk, Liza Lim and Cassandra Miller, Ruthless Jabiru’s Silk Moth will examine the complex tragedies of honour crime, family violence and female (dis)empowerment in Britain and beyond. Continue reading →