DECIBEL JOURNAL: CAT HOPE AND KELLY LOVELADY ON THE DECIBEL/RUTHLESS JABIRU COLLABORATION IN LONDON ON 2ND DECEMBER 2022
Artistic Director of Decibel (AU), Cat Hope, is working with Kelly Lovelady, the conductor and founding Artistic Director of London chamber orchestra Ruthless Jabiru on a new program, The Holy Presence of as part of Decibel’s tour to the UK underway right now. Here, they discuss the program and the rationale behind it.
PRESS RELEASE Now the beating heart of the Brunel Museum and with a chamber half the size of Shakespeare’s Globe, the Grand Entrance Hall of the historic Thames Tunnel will host its first ever bass orchestra performance as part of the UK/Australia Season.
The amassed musicians of London chamber orchestra Ruthless Jabiru and Australia’s Decibel New Music Ensemble will come together on 02 December 2022 for an all-low programme by contemporary composers of Australia, UK, Finland/France, Chile and the US.
PRESS RELEASE London chamber orchestra Ruthless Jabiru welcomes into its fold fellow Australian musicians Decibel New Music Ensemble for a massed finale to the latter’s forthcoming UK tour.
The two ensembles will unite for a programme of graphic-, text- and traditionally-notated music performed by an orchestra of entirely low instruments. The event will take place in the unique subaquatic surrounds of the Grand Entrance Hall at the Brunel Museum on 02 December 2022 as part of the UK/Australia Season 2021-22.
Ruthless Jabiru presents Bushra El-Turk’s hard-hitting opera Silk Moth alongside works by Liza Lim and Cassandra Miller at the Arcola Theatre in London’s East End, August 9-11. Composers Edition’s Dan Goren caught up with the pioneering musical director Kelly Lovelady to find out more.
Dan Goren: Tell me how you’ve come to be producing this first fully-staged production of Silk Moth and what drew you to it.
Kelly Lovelady: I had been wanting to programme something of Bushra’s for years so when I had the chance to dream up some new programme ideas I went through her works list with a fine comb. The instrumentation of Silk Moth for a single vocalist and mixed ensemble of four Western and Middle Eastern instrumentalists struck me as an Continue reading →